Monday, July 18, 2022

On Writing Narratives

                                                                            


Prologue to  

         South of Broad   

            The Mansion on the River 

           By Pat Conroy


   It was my father who called the city the ‘Mansion on the River’. 

   He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobby horse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. 

   I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake



or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. 


   

As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metal work as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter. 

   




Because of its devotional, graceful attraction to food and gardens and architecture, Charleston stands for all the principles that make living well both a civic virtue and a standard. It is a rapturous, defining place to grow up. Everything I reveal to you now will be Charleston-shaped and Charleston-governed, and sometimes even Charleston-ruined. But it is my fault and not the city’s that it came close to destroying me. Not everyone responds to beauty in the same way. Though Charleston can do much, it can’t always improve on the strangeness of human behavior. But Charleston has a high tolerance for eccentricity and bemusement. There is a tastefulness in its gentility that comes from the knowledge that Charleston is a permanent dimple in the understated skyline, while the rest of us are only visitors. 




   My father was an immensely gifted science teacher who could make the beach at Sullivan’s Island seem like a laboratory created for his own pleasures and devices. He could pick up a starfish, or describe the last excruciating moments of an oyster’s life on a flat a hundred yards from where we stood. He made Christmas ornaments out of the bracelet like egg casings of whelks. In my mother’s gardens he would show me where the ladybug disguised her eggs beneath the leaves of basil and arugula. In the Congaree Swamp, he discovered a new species of salamander that was named in his honor. There was no butterfly that drifted into our life he could not identify by sight. At night, he would take my brother, Steve, and I out into the boat to the middle of Charleston Harbor and make us memorize the constellations. He treated the stars as though they were love songs written to him by God. With such reverence he would point out Canis Major, the hound of Orion, the Hunter; or Cygnus, the Swan; or Andromeda, the Chained Lady; or Cassiopeia, the Lady in the Chair. My father turned the heavens into a fresh puzzlement of stars: “Ah, look at Jupiter tonight. And red Mars. And isn’t Venus fresh on her throne?” A stargazer of the first order, he squealed with pleasure on the moonless nights when the stars winked at him in some mysterious, soul-stirring graffiti of ballet-footed light. He would clap his hands with irresistible joy on a cloudless night when he made every star in the sky a silver dollar in his pocket. 

   He was more North Star than father. His curiosity about the earth ennobled his every waking moment. His earth was billion-footed, with unseen worlds in every drop of water and every seedling and every blade of grass. The earth was so generous. It was this same earth that he prayed to because it was his synonym for God. 

   My mother is also a Charlestonian, but her personality strikes far darker harmonies than my father’s did. She is God-haunted and pious in a city with enough church spires to have earned the name of the Holy City. She is a scholar of prodigious gifts, who once wrote a critique of Richard Ellman’s biography of James Joyce for the New York Review of Books. For most of my life she was a high school principal, and her house felt something like the hallway of a well-run school. Among her students, she could run a fine line between fear and respect. There was not much horseplay or lollygagging about in one of Dr. Lindsay King’s schools. I knew kids who were afraid of me just because she was my mother. She almost never wears makeup other than lipstick. Besides her wedding band, the only jewelry she owns is the string of pearls my father bought her for their honeymoon. 

   Singularly, without artifice or guile, my mother’s world seemed disconsolate and tragic before she really knew how tragic life could be. Once she learned that no life could avoid the consequences of tragedy, she softened into an ascetic’s acknowledgment of the illusory nature of life. She became a true believer in the rude awakening. 

   My older brother, Steve, was her favorite by far, but that seemed only natural to everyone, including me. Steve was blond and athletic and charismatic, and had a natural way about him that appealed to the higher instincts of adults. He could make my mother howl with laughter by telling her a story of one of his teachers or about something he had read in a book; I could not have made my mother smile if I had exchanged arm farts with the Pope in the Sistine Chapel. Because I hero-worshiped Steve, it never occurred to me to be jealous of him. He was both solicitous and protective of me; my natural shyness brought out an instinctive championing of me. The world of children terrified me, and I found it perilous as soon as I was exposed to it. Steve cleared a path for me until he died. 



   Now, looking back, I think the family suffered a collective nervous breakdown after we buried Steve. His sudden, inexplicable death sent me reeling into a downward spiral that would take me many years to fight my way out of and then back into the light. My bashfulness turned to morbidity. My alarm systems all froze up inside me. I went directly from a fearful childhood to a hopeless one without skipping a beat. It was not just the wordless awfulness of losing a brother that unmoored me but the realization that I had never bothered to make any other friends, rather had satisfied myself by being absorbed into that wisecracking circle of girls and boys who found my brother so delicious that his tagalong brother was at least acceptable. After Steve’s death, that circle abandoned me before the flowers at his graveside had withered. Like Steve, they were bright and flashy children, and I always felt something like a toadstool placed outside the watch fires of their mysteries and attractions. 

   So I began the Great Drift when Steve left my family forever. I found myself thoroughly unable to fulfill my enhanced duties as an only child. I could not take a step without incurring my mother’s helpless wrath over my raw un-Stephenness, her contempt for my not being blond and acrobatic and a Charleston boy to watch. It never occurred to me that my mother could hold against me my unfitness to transfer myself into the child she had relished and lost. For years, I sank into the unclear depths of myself, and learned with some surprise that their haunted explorations would both thrill and alarm me for the rest of my life. A measurable touch of madness was enough to send my fragile boyhood down the river, and it took some hard labor to get things right again. I could always feel a flinty, unconquerable spirit staring out of the mangroves and the impenetrable rain forests inside me, a spirit who waited with a mineral patience for that day I was to claim myself back because of my own fierce need of survival. In the worst of times, there was something that lived in isolation and commitment that would come at my bidding and stand beside me, shoulder-to-shoulder, when I decided to face the world on my own terms. 

   I turned out to be a late bloomer, which I long regretted. My parents suffered needlessly because it took me so long to find my way to a place at their table. But I sighted the early signs of my recovery long before they did. My mother had given up on me at such an early age that a comeback was something she no longer even prayed for in her wildest dreams. Yet in my anonymous and underachieving high school career, I laid the foundation for a strong finish without my mother noticing that I was, at last, up to some good. I had built an impregnable castle of solitude for myself and then set out to bring that castle down, no matter how serious the collateral damage or who might get hurt.

   I was eighteen years old and did not have a friend my own age. There wasn’t a boy in Charleston who would think about inviting me to a party or to come out to spend the weekend at his family’s beach house. 

   I planned for all that to change. I had decided to become the most interesting boy to ever grow up in Charleston, and I revealed this secret to my parents. 

   Outside my house in the languid summer air of my eighteenth year, I climbed the magnolia tree nearest to the Ashley River with the agility that constant practice had granted me. From its highest branches, I surveyed my city as it lay simmering in the hot-blooded saps of June while the sun began to set, reddening the vest of cirrus clouds that had gathered along the western horizon. In the other direction, I saw the city of rooftops and columns and gables that was my native land. What I had just promised my parents, I wanted very much for them and for myself. Yet I also wanted it for Charleston. I desired to turn myself into a worthy townsman of such a many-storied city. 

   Charleston has its own heartbeat and fingerprint, its own mug shots and photo ops and police lineups. It is a city of contrivance, of blueprints; devotion to pattern that is like a bent knee to the nature of beauty itself. I could feel my destiny forming in the leaves high above the city. Like Charleston, I had my alleyways that were dead ends and led to nowhere, but mansions were forming like jewels in my bloodstream. Looking down, I studied the layout of my city, the one that had taught me all the lures of attractiveness, yet made me suspicious of the showy or the makeshift. I turned to the stars and was about to make a bad throw of the dice and try to predict the future, but stopped myself in time. 

   A boy stopped in time, in a city of amber-colored life that possessed the glamor forbidden to a lesser angel.


Tuesday, July 12, 2022

Literary Analysis of The Glass Castle

 Jeannette Walls' Shame in The Glass Castle

 Introduction:

Before writing The Glass Castle, Jeannette Walls lived with a secret. Shame of her past life was the secret that Jeanette kept, and she lived in fear of others learning her truth. She was ashamed of both her destitute upbringing and of her parents’ continued homeless lifestyle. She was afraid of who she once was and of where she came from, and because her parents followed her to NYC, she knew her past would eventually catch up with her . Not until the age of 40 did Jeannette finally tell the truth and free herself of her lifelong fear by writing her memoir.


Body:


Paragraph 1


   The writing of The Glass Castle was inspired by the scene which opens her memoir. In the first paragraph of the book, she is sitting in a cab on the way to an exclusive party. When the author looks out the window of the cab she sees her mother “picking” through the garbage. Though Jeannette had left her family behind years ago when she moved to NYC, her parents had caught up with her, and the secret of her past was soon to follow. Now she saw her mother only 15 feet away and she wrote,” I was overcome with panic that she'd see me and call out my name, and that someone on the way to the same party would spot us together and Mom would introduce herself and my secret would be out.” The past that Jeannette had tried to evade and erase was staring her in the face, and she felt that the new self she had created would soon be destroyed.


Paragraph 2


  Jeannette was so disturbed by the sight of her mother that she retreated from the party and returned to her home on Park Avenue. Rather than easing her mind and comforting her, her own apartment made her uneasy….what quote will I use?




Thursday, July 7, 2022

The Glass Castle (Chapter 1)

                                  


       From The Glass Castle

by Jeannette Walls


I

A WOMAN ON THE STREET


I WAS SITTING IN a taxi, wondering if I had overdressed for the evening, when I looked out the

window and saw Mom rooting through a Dumpster. It was just after dark. A blustery March wind

whipped the steam coming out of the manholes, and people hurried along the sidewalks with their collars turned up. I was stuck in traffic two blocks from the party where I was heading.


Mom stood fifteen feet away. She had tied rags around her shoulders to keep out the spring chill and was picking through the trash while her dog, a black­and­white terrier mix, played at her feet. Mom's gestures were all familiar—the way she tilted her head and thrust out her lower lip when studying items of potential value that she'd hoisted out of the Dumpster, the way her eyes widened with childish glee when she found something she liked. Her long hair was streaked with gray, tangled and matted, and her eyes had sunk deep into their sockets, but still she reminded me of the mom she'd been when I was a kid, swan diving off cliffs and painting in the desert and reading Shakespeare aloud. Her cheekbone were still high and strong, but the skin was parched and ruddy from all those winters and summers exposed to the elements. To the people walking by, she probably looked like any of the thousands of homeless people in New York City.


It had been months since I laid eyes on Mom, and when she looked up, I was overcome with panic that she'd see me and call out my name, and that someone on the way to the same party would spot us together and Mom would introduce herself and my secret would be out.


I slid down in the seat and asked the driver to turn around and take me home to Park Avenue.


The taxi pulled up in front of my building, the doorman held the door for me, and the elevator man took me up to my floor. My husband was working late, as he did most nights, and the apartment was silent except for the click of my heels on the polished wood floor. I was still rattled from seeing Mom, the unexpectedness of coming across her, the sight of her rooting happily through the Dumpster. I put some Vivaldi on, hoping the music would settle me down.


I looked around the room. There were the turn­of­the­century bronze and silver vases and the old books with worn leather spines that I'd collected at flea markets. There were the Georgian maps I'd had framed, the Persian rugs, and the overstuffed leather armchair I liked to sink into at the end of the day.I'd tried to make a home for myself here, tried to turn the apartment into the sort of place where the person I wanted to be would live. But I could never enjoy the room without worrying about Mom and Dad huddled on a sidewalk grate somewhere. I fretted about them, but I was embarrassed by them, too, and ashamed of myself for wearing pearls and living on Park Avenue while my parents were busy keeping warm and finding something to eat.


What could I do? I'd tried to help them countless times, but Dad would insist they didn't need anything, and Mom would ask for something silly, like a perfume atomizer or a membership in a health club. They said that they were living the way they wanted to.


After ducking down in the taxi so Mom wouldn't see me, I hated myself—hated my antiques, my

clothes, and my apartment. I had to do something, so I called a friend of Mom's and left a message. It was our system of staying in touch. It always took Mom a few days to get back to me, but when I heard from her, she sounded, as always, cheerful and casual, as though we'd had lunch the day before. I told her I wanted to see her and suggested she drop by the apartment, but she wanted to go to a restaurant. She loved eating out, so we agreed to meet for lunch at her favorite Chinese restaurant.


Mom was sitting at a booth, studying the menu, when I arrived. She'd made an effort to fix herself up. She wore a bulky gray sweater with only a few light stains, and black leather men's shoes. She'd washed her face, but her neck and temples were still dark with grime.

She waved enthusiastically when she saw me. 

"It's my baby girl!" she called out. I kissed her cheek. Mom had dumped all the plastic packets of soy sauce and duck sauce and spicy mustard from the table into her purse. Now she emptied a wooden bowl of dried noodles into it as well. "A little snack for later on," she explained.


We ordered. Mom chose the Seafood Delight. "You know how I love my seafood," she said.


She started talking about Picasso. She'd seen a retrospective of his work and decided he was hugely overrated. All the cubist stuff was gimmicky, as far as she was concerned. He hadn't really done anything worthwhile after his Rose Period.


"I'm worried about you," I said. "Tell me what I can do to help."


Her smile faded. "What makes you think I need your help?"


"I'm not rich," I said. "But I have some money. Tell me what it is you need."


She thought for a moment. "I could use an electrolysis treatment."


"Be serious."


"I am serious. If a woman looks good, she feels good."


"Come on, Mom." I felt my shoulders tightening up, the way they invariably did during these

conversations. "I'm talking about something that could help you change your life, make it better."


"You want to help me change my life?" Mom asked. "I'm fine. You're the one who needs help. Your values are all confused."


"Mom, I saw you picking through trash in the East Village a few days ago."


"Well, people in this country are too wasteful. It's my way of recycling." She took a bite of her Seafood Delight. "Why didn't you say hello?"

"I was too ashamed, Mom. I hid."


Mom pointed her chopsticks at me. "You see?" she said. "Right there. That's exactly what I'm saying. You're way too easily embarrassed. Your father and I are who we are. Accept it."


"And what am I supposed to tell people about my parents?"


"Just tell the truth," Mom said. "That's simple enough."


Thursday, June 23, 2022

Summer of 2022






 WELCOME TO YALE!

This will be your classroom - your notebook - your record of the work we do in this summer of 2022. All of our work will be together on one page, so you have the constant audience every writer wishes for and needs. We will begin the class with a writing assignment today, which will take you out of the classroom for a walk on the stone paths, beside the ivied walls, among Yale's famed architecture, to write your own first impression of the campus you will call home for the summer of 2022.


Friday, June 29, 2018

SUMMER OF 2018


This session begins with absolutely beautiful weather and a lovely group of students - Charlotte and Claire from China, Heri from Tanzania, Matilda from Sweden, Danielle from Brazil and Lluvia from Mexico.
Our first week was a HUGE success insofar as all the students created their blogs AND published their first post, and that was in only three days. Tomorrow is our celebration picnic at the lake and I'll make a point of getting a class photo for our class blog.
I LOOK FORWARD TO WORKING WITH YOU ALL!
I am already an admirer of your work and ideas!

Tuesday, June 28, 2016

WELCOME TO OUR CLASS...

...where my impressive international students surprise themselves with their masterful writing and very intriguing photographs.

Our classroom building at Yale

WELCOME TO YALE, My Students! 

This 2016 I have the pleasure of welcoming Aurelien, Claire, Katie, Ingrid, Lindsay, Mike, Vera and Yuhe to a feast of reading, writing, blogging and conversation which together we will make cherishable. This morning we met and in a very short time this group managed to create their blogs and begin their first post...a truly promising class!

Cocktail Party - without the cocktails

And though we begin our relationships by keeping our distance, still unsure of each other, it doesn't take long for the "Relentless Interview" to bring us closer together...


A Class is Born

And now we are ready to begin!

Tomorrow we will read one another's "First Impressions", which will soon become the student's first post and the start of their blogging.
And I don't mean to brag, but please let me remind you that all of these students are writing at this impressive level in their second language.....so...without further adieu....

Welcome to their lives, their time together at Yale and their travels.


We began as strangers almost two weeks ago - a bit shy, unsure of each other, maybe a little jet-lagged, but NEVER without a sense of adventure. From the moment we began, a little magic happened...

We have no business having this much fun
   ...and it has been happening ever since.
   By the second day of class all the students had already named and begun their blogs. The following day they were all busy writing their "First Impressions" of the U.S. and Yale, which would soon become their first post and the start of their blogging. And I don't mean to brag, but please let me remind you that all of them are writing at this impressive level in their second languages.
   Now, only ten days later....HERE THEY ARE WORLD!
Welcome to their lives, their time together and their travels.

Shy no more

We look forward to entertaining you!